Illuminati: How the Illuminati runs Hollywood

AI

    Sponsored Links

    Next

  • 1. Language as labeling
    Is it possible to create a system, maybe similar to the periodic table of elements in chemistry, which would allow us to break words into elementary components? IMO such a system would allow to label all the possible combinations of these elements into words, concepts, etc. and create a kind of meta language. ? JP
  • 2. Testing Consciousness
    Consciousness has always been a big question bugging my mind especially creation of consciousness. We may build robots that show that they are conscious. But can we build robots that are really conscious. How can one go about testing consciousness?? One thing that came to my mind in the morning was this pain is a kind of sensation; extreme tiredness is painful; machines never get tired; they cannot experience pain like humans; I think other than all emotions and sensations, pain is the biggest proof of our consciousness. Is getting discharged the only sign of getting tired for a machine?? Your views!! Note: Whatever weird thoughts came to my mind, I just scribbled them. there maybe loop holes in the above written text. It seems to me incomplete too but i don't want to write an essay for now.

Illuminati: How the Illuminati runs Hollywood

Postby Moronic Sockpuppet » Wed, 07 Nov 2007 11:42:00 GMT

Illuminati, Freemason, Lucifer, satan, 666, NWO, Skull and Bones]

The Illuminati in America

Exclusive Interview with an Ex-Illuminati Programmer/Trainer

By Svali with interviewer HJ Springer, Chief Editor CentrExNews.com
< XXXX@XXXXX.COM >
Copyright 2000 CentrExNews.com. All rights reserved.
http://educate-yourself.org/mc/mcsvaliinterviewpt3.shtml

Part 3: How the Illuminati runs Hollywood

*Q*: /I would think that California would be one of the major
'turfs' of the Illuminati, and I'm thinking specifically Hollywood.
What's your inside on this, in regards to film making, symbology,
subliminals, the whole scene in general?/

*A*: Oh, boy, do you have a few hours? I'll try to be brief. The
Illuminati believethat to control the media is to control the
public. This is one of their stated agendas. Remember, finances,
media, law, government and education are the areas they targeted as
being the best to dominate society.

How do they do this? They don't go to a film producer and say, "Oh,
by the way, we're Illuminati members and we want you to make a movie
that promotes our agenda". (Remember, they aren't stupid, either).
Instead, they will form a small investment corporation that funds
movies with ideas that they like. They quietly hire actors and
producers and directors and scripts, but they never mention their
affiliation publicly or why they are doing this.

Money talks, and especially in Hollywood. If you have money, you can
get about anything made, and they know this. They can also channel
money intoadvertising campaigns, etc. for their films (how many
Christian films have had major ad campaigns in the past twenty
years? Very few. How many occult movies have? I rest my case).

This has been a slow, subtle process because they are patient. They
have been working behind the scenes for hundreds of years, and they
know that the public is slow to accept new ideas, that it has to be
done gradually. (They call it leading in the "sheep" which is one of
their terms for the "unenlightened"). And it has been. The number of
occult films that has come out in the past ten years alone should
make anyone pause and think.

Why so many films with this theme? Why the desensitization of
America's youth to the occult and magic? Just look at Saturday
morning cartoons. I don't allow my children to watch them, except
for "animaniacs" and Bugs Bunny at times. Instead, we rent old
classics with Audrey Hepburn and John Wayne. I can send you some
articles that did an excellent job of investigating *Walt Disney*
(he was an Illuminist, and /Fantasia/ was used to program children).

Some films that blatantly portray the Illuminist agenda: /*The
Matrix*/. You could have peeled me off the ceiling when I saw that
one. The references to conditioning and the core were so blatant, it
wasn't funny. /*Fight Club*/: I love Brad Pitt and Ed Norton, and
this film is a nod at the *covert military buildup going on that the
average person doesn't realize*. Also, *Ed is dissociative in the
film*, as Pitt's character takes over (notice that the cult-creating
military figure is the "stronger" one in the story?).

/*The Labyrinth*/: I haven't seen this, but my husband did, and
everything he mentioned is pure Illuminati programming stories used
with children. Any movies with an occult viewpoint, or that show
supernatural psychic phenomena, astral travel, or contact with the
spirit world are guaranteed to be par

Illuminati: How the Illuminati runs Hollywood

Postby nukleus » Mon, 28 Jul 2008 08:13:20 GMT

Illuminati, Freemason, Lucifer, satan, 666, NWO, Skull and Bones]

The Illuminati in America

Exclusive Interview with an Ex-Illuminati Programmer/Trainer

By Svali with interviewer HJ Springer, Chief Editor CentrExNews.com
< XXXX@XXXXX.COM >
Copyright 2000 CentrExNews.com. All rights reserved.
http://educate-yourself.org/mc/mcsvaliinterviewpt3.shtml

Part 3: How the Illuminati runs Hollywood

*Q*: /I would think that California would be one of the major
'turfs' of the Illuminati, and I'm thinking specifically Hollywood.
What's your inside on this, in regards to film making, symbology,
subliminals, the whole scene in general?/

*A*: Oh, boy, do you have a few hours? I'll try to be brief. The
Illuminati believethat to control the media is to control the
public. This is one of their stated agendas. Remember, finances,
media, law, government and education are the areas they targeted as
being the best to dominate society.

How do they do this? They don't go to a film producer and say, "Oh,
by the way, we're Illuminati members and we want you to make a movie
that promotes our agenda". (Remember, they aren't stupid, either).
Instead, they will form a small investment corporation that funds
movies with ideas that they like. They quietly hire actors and
producers and directors and scripts, but they never mention their
affiliation publicly or why they are doing this.

Money talks, and especially in Hollywood. If you have money, you can
get about anything made, and they know this. They can also channel
money intoadvertising campaigns, etc. for their films (how many
Christian films have had major ad campaigns in the past twenty
years? Very few. How many occult movies have? I rest my case).

This has been a slow, subtle process because they are patient. They
have been working behind the scenes for hundreds of years, and they
know that the public is slow to accept new ideas, that it has to be
done gradually. (They call it leading in the "sheep" which is one of
their terms for the "unenlightened"). And it has been. The number of
occult films that has come out in the past ten years alone should
make anyone pause and think.

Why so many films with this theme? Why the desensitization of
America's youth to the occult and magic? Just look at Saturday
morning cartoons. I don't allow my children to watch them, except
for "animaniacs" and Bugs Bunny at times. Instead, we rent old
classics with Audrey Hepburn and John Wayne. I can send you some
articles that did an excellent job of investigating *Walt Disney*
(he was an Illuminist, and /Fantasia/ was used to program children).

Some films that blatantly portray the Illuminist agenda: /*The
Matrix*/. You could have peeled me off the ceiling when I saw that
one. The references to conditioning and the core were so blatant, it
wasn't funny. /*Fight Club*/: I love Brad Pitt and Ed Norton, and
this film is a nod at the *covert military buildup going on that the
average person doesn't realize*. Also, *Ed is dissociative in the
film*, as Pitt's character takes over (notice that the cult-creating
military figure is the "stronger" one in the story?).

/*The Labyrinth*/: I haven't seen this, but my husband did, and
everything he mentioned is pure Illuminati programming stories used
with children. Any movies with an occult viewpoint, or that show
supernatural psychic phenomena, astral travel, or contact with the
spirit world are guaranteed to be par

Illuminati: How the Illuminati runs Hollywood

Postby Bill » Fri, 22 Aug 2008 23:27:12 GMT

Illuminati, Freemason, Lucifer, satan, 666, NWO, Skull and Bones]

The Illuminati in America

Exclusive Interview with an Ex-Illuminati Programmer/Trainer

By Svali with interviewer HJ Springer, Chief Editor CentrExNews.com
< XXXX@XXXXX.COM >
Copyright 2000 CentrExNews.com. All rights reserved.
http://educate-yourself.org/mc/mcsvaliinterviewpt3.shtml

Part 3: How the Illuminati runs Hollywood

*Q*: /I would think that California would be one of the major
'turfs' of the Illuminati, and I'm thinking specifically Hollywood.
What's your inside on this, in regards to film making, symbology,
subliminals, the whole scene in general?/

*A*: Oh, boy, do you have a few hours? I'll try to be brief. The
Illuminati believethat to control the media is to control the
public. This is one of their stated agendas. Remember, finances,
media, law, government and education are the areas they targeted as
being the best to dominate society.

How do they do this? They don't go to a film producer and say, "Oh,
by the way, we're Illuminati members and we want you to make a movie
that promotes our agenda". (Remember, they aren't stupid, either).
Instead, they will form a small investment corporation that funds
movies with ideas that they like. They quietly hire actors and
producers and directors and scripts, but they never mention their
affiliation publicly or why they are doing this.

Money talks, and especially in Hollywood. If you have money, you can
get about anything made, and they know this. They can also channel
money intoadvertising campaigns, etc. for their films (how many
Christian films have had major ad campaigns in the past twenty
years? Very few. How many occult movies have? I rest my case).

This has been a slow, subtle process because they are patient. They
have been working behind the scenes for hundreds of years, and they
know that the public is slow to accept new ideas, that it has to be
done gradually. (They call it leading in the "sheep" which is one of
their terms for the "unenlightened"). And it has been. The number of
occult films that has come out in the past ten years alone should
make anyone pause and think.

Why so many films with this theme? Why the desensitization of
America's youth to the occult and magic? Just look at Saturday
morning cartoons. I don't allow my children to watch them, except
for "animaniacs" and Bugs Bunny at times. Instead, we rent old
classics with Audrey Hepburn and John Wayne. I can send you some
articles that did an excellent job of investigating *Walt Disney*
(he was an Illuminist, and /Fantasia/ was used to program children).

Some films that blatantly portray the Illuminist agenda: /*The
Matrix*/. You could have peeled me off the ceiling when I saw that
one. The references to conditioning and the core were so blatant, it
wasn't funny. /*Fight Club*/: I love Brad Pitt and Ed Norton, and
this film is a nod at the *covert military buildup going on that the
average person doesn't realize*. Also, *Ed is dissociative in the
film*, as Pitt's character takes over (notice that the cult-creating
military figure is the "stronger" one in the story?).

/*The Labyrinth*/: I haven't seen this, but my husband did, and
everything he mentioned is pure Illuminati programming stories used
with children. Any movies with an occult viewpoint, or that show
supernatural psychic phenomena, astral travel, or contact with the
spirit world are guaranteed to be par

Similar Threads:

1.Illuminati: The Illuminati - Freemason Connection

2.Illuminati: The Top of the Pyramid

3.Illuminati: Ritual Sacrifices - Demons- Shape Shifting

4.Illuminati: The Fourth Reich

5.The NWO Files - SYMBOL OF THE ILLUMINATI

[Illuminati, Freemason, Lucifer, satan, 666, NWO, Skull and Bones]

Subject: SYMBOL OF THE ILLUMINATI
Title: The New World Order Files
Author: David Allen Rivera

When Weishaupt founded the Order of the Illuminati, he adopted the
All-Seeing Eye symbol of Masonry, to be the symbol of the organization.
It is the Great Pyramid of Cheops, with the capstone missing, and
replaced with an eye. The All-Seeing Eye can be traced back to Chaldea
as the Solar Eye, the Eye of Jupiter or Apollo, or the Eye of
Providence. Hieroglyphics in ancient Egypt identified the name of the
chief Sun God Osiris with a human eye.

On July 4, 1776, Thomas Jefferson (a Mason and Illuminist), John Adams
(a Mason), and Ben Franklin (a Mason and Rosicrucian), were appointed by
a Committee of the Continental Congress to prepare the Great Seal of the
United States to signify that the 13 states had united in an act of
independence. After some preliminary work by another, William Barton
submitted an Eagle on the pinnacle of a Doric column, the All-Seeing
Eye, and the stars (representing a new constellation, or new empire).
Barton's second design pushed the All-Seeing Eye to the reverse side,
and moved the eagle up to the crest, and placed a phoenix (the Egyptian
symbol of regeneration used by the Rosicrucians) rising from the flames
at the column's summit, which was to indicate the revival of the new
(America) out of the old (England). This design was accepted on May 9,
1782 and referred to Charles Thompson (a Mason), the Secretary of
Congress on June 13th. The final version, approved and adopted by an act
of Congress on June 20, 1782, was the result of a series of committee
meetings which combined ideas from Barton, Thompson and Jefferson, who
placed a triangle around the eye, added the year '1776', 'E Pluribus
Unum', the olive branch on the front, stars above the eagle, and other
things. Within weeks, a brass plate of the face of the Great Seal was
produced, but not the reverse side.

Although the design of the seal was not to deviate from the one
approved, when the original wore out, and a second engraving in 1841 was
ordered by Secretary of State Daniel Webster. The design by French
artist R. P. Lamplier and cut by John V. N. Throop, had many subtle
differences, such as six, rather than thirteen arrows. Referred to as
the Websterian Great Seal, it was used until 1885.

The third engraving was prepared in 1885 under Secretary of State F. T.
Frelinghuysen and cut by Tiffany and Co.; and the fourth engraving,
under Secretary of State John Hay, engraved by Max Zeiler, and cut by
Baily, Banks & Biddle; were both consistent with the design passed by
law in 1782.

A committee appointed by Frelinghuysen, consisting of Theodore F.
Dwight (Chief of the Bureau of Rolls and Library of the State
Department), Justin Winsor (historian), Charles Eliot Norton (Harvard
professor), William H. Whitmore (genealogist), John Denison Chaplin, Jr.
(associate editor of American Cyclopedia) and James Horton Whitehouse
(designer for Tiffany and Co. in New York City) decided that a die for
the reverse side of the seal would not be produced and used as an
official seal. Norton called it a "dull emblem of a Masonic fraternity."
However, a 1957 pamphlet by the U.S. Government Printing Office, called
_The Seal of the United States_, indicated that in 1885 "a die may have
been cut," but never used.

Celestia Root Lang (editor and publisher of _Divine Life_ magazine from
the Independent Theosophical Society of America) wrote in 1917: "The
reverse side must have been designed by a mystic, one versed in
symbolism...The time will come...when the white stone (pyramid capstone)
will become the headstone of the corner of our government...in
proclaiming a new religion in which all spiritual currents flowing from
every religion shall meet in the perfection of the white stone...having
neither dogma nor doctrine...We see in Mr. Barton only the facade of the
instrument; that if he himself was not a mystic or seer, then, a Master
(thought to have been Thomas Paine) stood behind him."

Arthur M. Schlesinger, Jr. wrote in his book _The Coming of the New
Deal_, that Vice President Henry A. Wallace (a Mason) was "fascinated"
by the occult, and was impressed enough with the significance of the
reverse side of the Great Seal to lobby Treasury Secretary Morganthau to
have it put on the back of the one dollar bill in 1935. Wallace later
ran for President as a Socialist. What this gesture meant, was that the
Illuminati had finally reached the point where they could set into
motion their plans for the New World Order by initiating the destruction
of our Constitution.

The front side of the Great Seal, or the Eagle, is well known. It is
used to seal all governmental documents. The reverse side displays a
pyramid, with an eye in the capstone and a Latin inscription around it.
This seems to be a continuation of the masonic symbolism found on the
front. The number thirteen is displayed prominently, and was thought to
have referred to the thirteen colonies. However, the number thirteen was
a mystical number to the Egyptians and Babylonians, and also the Masons.
There are thirteen leaves in the olive branch, thirteen stripes on the
shield, thirteen feathers on the eagle's tail, thirteen arrows, and
thirteen stars. There are 32 long feathers, which represent the 32
degrees in Masonry. The pyramid has thirteen levels, and within the
capstone is an eye. It is not the eye of God, as we have been taught to
believe. It stems from Masonic tradition, where it is known as the "Eye
of Horus" (the Sun God), or the "All-Seeing Eye." Which refers to the
protection of Providence, "whose eye never slumbers nor sleeps," which
alludes to the "Big Brother" system of constant surveillance. To the
Illuminati, it represents the eye of Satan, who its members worship.

The pyramid represents the organizational structure of the Illuminati,
and the capstone containing the eye, represents the House of Rothschild,
who control the group, and have perpetuated the goal of one-world
government.

According to the original Treasury Department press release of August
15, 1935, which gave details of the symbol being put on the back of the
one dollar bill: "The eye and triangular glory symbolize an all-seeing
Deity. The pyramid is the symbol of strength and its unfinished
condition denoted the belief of the designers of the Great Seal that
there was still work to be done." Notice they said "Deity", and not "God."

The news release indicated that the Latin phrase 'Annuit Coeptis' is
translated as "he (God) favored our undertakings", and comes from
Virgil's 'audacibus annue coeptis' or "favor my daring undertaking,"
which refers to the "golden" age during which the "Saturnian" (Saturn
was the father of Osiris) kingdom shall return. 'Novus Ordo Seclorum' is
translated as "a new order of the ages," which is taken from Virgil's
'magnus ab integro seclorum nascitur ordo' or "the great series of ages
begins anew." To the Illuminati, the combination of these two Latin
phrases are translated as: "Announcing the Birth of a New Secular Order."

The date 1776, found at the base of the pyramid in Roman numerals,
doesn't refer to July 4th, the date of the country's independence; but
May 1st, when the Illuminati was founded. May 1st is also an
international holiday for all workers, known as May Day, which was
established in 1889 at the International Socialist Congress.

The reverse side of the Great Seal, which can be found in the
Meditation Room of the United Nations, has never been used to seal one
document in this country's history, and it never will, because it is the
seal of the Illuminati.


- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
"We're going to have the best educated American people in the world." 

--- Adolph Bush

6. The NWO Files - THE ILLUMINATI IN THE UNITED STATES

7. Illuminati: The UN or 'Supreme World Council'



Return to AI

 

Who is online

Users browsing this forum: No registered users and 71 guest